about me
Kendra
New neck, bridge, saddles, & pickups. My first custom bone nut.
Jag
Heavily modified squier. Mastery bridge, Lollar pickups, new tremolo.
f-100
Found abandoned. Finish marbled. Pickups needed a wax-pot, new trem springs.
Wanda
Gibson es 335 dot. Custom cream/black 5 ply pickguard to match the binding.
Mildred
Fender reissue 50s precision bass. Labella flats.
Kendra
New neck, bridge, saddles, & pickups. My first custom bone nut.
Jag
Heavily modified squier. Mastery bridge, Lollar pickups, new tremolo.
f-100
Found abandoned. Finish marbled. Pickups needed a wax-pot, new trem springs.
Wanda
Gibson es 335 dot. Custom cream/black 5 ply pickguard to match the binding.
Mildred
Fender reissue 50s precision bass. Labella flats.
Kendra
New neck, bridge, saddles, & pickups. My first custom bone nut.
Jag
Heavily modified squier. Mastery bridge, Lollar pickups, new tremolo.
f-100
Found abandoned. Finish marbled. Pickups needed a wax-pot, new trem springs.
Wanda
Gibson es 335 dot. Custom cream/black 5 ply pickguard to match the binding.
Mildred
Fender reissue 50s precision bass. Labella flats.
Kendra
New neck, bridge, saddles, & pickups. My first custom bone nut.
Jag
Heavily modified squier. Mastery bridge, Lollar pickups, new tremolo.
f-100
Found abandoned. Finish marbled. Pickups needed a wax-pot, new trem springs.
Wanda
Gibson es 335 dot. Custom cream/black 5 ply pickguard to match the binding.
Mildred
Fender reissue 50s precision bass. Labella flats.
Kendra
New neck, bridge, saddles, & pickups. My first custom bone nut.
Jag
Heavily modified squier. Mastery bridge, Lollar pickups, new tremolo.
f-100
Found abandoned. Finish marbled. Pickups needed a wax-pot, new trem springs.
Wanda
Gibson es 335 dot. Custom cream/black 5 ply pickguard to match the binding.
Mildred
Fender reissue 50s precision bass. Labella flats.
As a musician, producer, and writer, I’ve worked with labels worldwide, including Transparent (UK), Rimeout (JP), Kitsuné (FR), Cantora (USA), Neon Gold (USA), and Sony Music.
As a consultant and software developer, I've spent recent years building, fixing, designing, and teaching. I teach JavaScript at The Coding Space — students from age eight through adults — and alongside that I've conducted field research, debugged production code against someone else's deadline, built full-stack applications from design through deployment, shipped an agentic AI system where language models plan and act rather than merely answer, and run the infrastructure underneath my own work on AWS. Reflecting on my experiences to date has yielded some unexpected conclusions, for example: debugging a company's UI on a deadline pales in comparison to teaching recursion to an adolescent whose brain runs exclusively on processed sugar.
Early work at the intersection of technology, data, ethics, health, and media includes a summer job at the Pioneer Institute setting up PC networks and a data consulting role at Fenway Health, a leading HIV research institute. As a NYC loft tenant (tethered to an Interim Multiple Dwelling in Brooklyn after moving to the Big Apple for a recording contract), I received a scholarship to complete a Master’s in Media Studies at The New School in Manhattan. Down the street from campus, I joined the market research and consumer psychology firm Envirosell, staffed on their travel team. Alongside graduate study, the role provided invaluable experience gathering and refining real, tangible data that directly informed marketing, product design, UX, and development for major brands and leading technology companies.
Health—mental and physical—along with fitness and diet, plays an increasingly central role in my life, even as the internet makes it harder to find trustworthy, data-driven expertise. Rounding this out, I suppose: daydreams include a PhD, uptempo triad fluency, tickets to every celluloid screening in New York, and adopting a dog.